Revolutionary Pan-Africanist writer, artist, and organizer Sobukwe Shakur gives a first-hand account of the history, politics, and legacy of the Black Arts Movement which was prominent in the 1960s and early 1970s.
Revolutionary Pan-Africanist writer, artist, and organizer Sobukwe Shakur gives a first-hand account of the history of the Black Art Movement, a movement which took place in the 1960s and 1970s and ran parallel to the Black Power Movement.
Sobukwe Shukur is a multi-media cultural worker, the host of the Revolutionary African Perspectives radio show on Georgia's independent WRFG station, a cadre and organizer in Nkrumah’s brainchild, the All-African People’s Revolutionary Party (A-APRP) and a former chair of the National Network On Cuba (NNOC).
The conversation begins with Sobukwe setting the context for the Black Arts Movement, one of global Black political consciousness at its height, before diving into first-hand experiences as a school student during the early 1960s before transforming into an organizer and cultural worker within the movement itself. In discussing the politics of the Black Arts Movement, he discusses how various ideologies existed simultaneously, at times in conflict, and how this was embraced and seen through the act of a multi-plural cultural revolution that took place. In the final third of the interview we discuss the legacy of the Black Arts Movement; how it has influenced us today compared to the Harlem Renaissance, and how Black arts of today reflect a deeply different dominant ideology being reflected in the art.